Ways of making the most out of your time in an art workshop
For those who are keen to improve their drawing and painting skills, there is plenty of interesting workshops and art lessons out there; what are the best ways of making the most out of it though? Although you might think you have found the perfect art workshop that covers the areas you need some help with, there is a number of factors that could prevent you from being efficient, focused and getting all the information you need from the lesson. In this article we will go through a few ideas of how to make the most of your time during the workshop. Hopefully, the following list of Do’s and Dont’s will help you prepare accordingly for attending the next art workshop!
Do you ever feel that you have been doing the same thing over and over again, that a change is needed, and you would like to challenge yourself meeting new people. Well, this week, I had the chance to try a different life drawing experience. A different venue, a different group of artists, a pint of beer to start with and a pint after we finished. This week I went for a life drawing session at the Curfew, Bath.
Part of the statement above, is a lie as I never actually stopped working with art. I did take a whole month off life drawing though. In the beginning it felt a bit naughty. Towards the end, I felt I was really missing it and I started lacking motivation for sketching anything else. It is true that life drawing classes give content and context to my work. Thankfully, I was able to attend the last session of the year!
Enjoy life drawing? Why not check a series of sessions available on CHROMA:
“I enjoy drawing human forms, either portraits with charcoal or full model figures with acrylic paint. I was interested in drawing since I was a little child and learned on my own. Later on I took various lessons. I definitely want to study art more thoroughly in the future!”
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“My ART, my LIFE, my PASSION. My whole art borns from emotions and energy. I love to take a look inside people’s spirits and show it on my drawings. I’m a graduate of Polish Art School, I used to draw & paint since I remember. Usually I use charcoal, oil pastels or oil on canvas.”
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“An architect, furniture designer and self taught artist, I’m from New Delhi, India. Art has been an inseparable part of my soul, I began painting at the age of 5. I love creating artworks based on naked figure studies and portraits, I am drawn towards the natural naked true self we all have within us. I’ve experimented with a variety of mediums, my favorite being charcoal and watercolor for the ease of carrying it anywhere and making quick figure studies. My favorite artists are Daniel Maidman, Michael Mentler, Richard Ehiemua and Casey Baugh.”
Being able to draw the neck muscles accurately can instantly make a portrait look much more professional and complete. It is so easy to understand how to draw the neck properly that is literally a shame trying to “guess”. All you need is two points and five lines connecting them…simple as that.
Reading this article is possible because someone is working hard for you at the moment, without you even noticing. Your head muscles not only support your head but also allow you to turn around or even eat your delicious sandwich. It comes as no surprise we have numerous facial muscles to help us with all these facial expressions, however the head muscles are equally important for anatomic reasons as well from an artistic perspective. Today we will have a quick look at these hard working parts of our body and see how they affect our portraits and figures.
This article brings together knowledge from the last 2 tutorials dealing with the skull. However, we focus on the volume and perspective rather than details of sketching the face or the side of the skull (we dealt with those in detail here: IT’S ALL IN YOUR HEAD and THE BRIGHT SIDE). This is the last one of the “Skull” series and attempts to create a very simple and quick method of sketching the skull in 3 dimensions. While the previous articles helped you memorise the proportions of the skull and its various components, here we will see how all these things connect to each other and work together to form the skull.
It is very cool being able to draw the front part of the skull; we used to do that since we were in school. If you want to understand though the volume of the skull, the structure of the bones and mainly how all these affect the proportions and arrangement of the facial features, then you really need to be looking at the side of the skull too. It is important to know what the proportions are and this is exactly what we are going to study today. As always, this drawing might not be 100% accurate, but it will definitely be a good starting point for you to understand and expand your knowledge in the long run.