Interview with a life model in Bath, UK

Presenting the work and ideas of a successful professional life model

I had the chance to work with Julian in a number of occasions at Bath Artist Studios and The Curfew in Bath. His imaginative and natural poses, as well as the useful props he provides, always offer the artists a very good opportunity to draw and sculpt from life. I thought that interviewing him would provide the readers of CHROMA with an insight to his work and also give artists and life models alike with some ideas coming straight from a successful professional in the field of art and life modelling.

Continue reading “Interview with a life model in Bath, UK”

Drawing loosely

Jane – 4

Finally loosened up

Date: 09/07/2018

Author: Iasonas Bakas

Time: 3h

 

Contents:

  • Step 1: Stepping on Object
  • Step 2: Pushing the Object
  • Step 3: Standing Pose
  • Step 4: Sitting Pose
  • Step 5: Long pose
  • Step 6: An extra one

 

Materials:

1. Charcoal Sticks
2. Kneadable Eraser
3. Measuring Needle, Pencil, Ruler or anything straight to measure proportions
4. A few blank sheets

What happened today?

This time I went to class about 10min late. This is enough for everyone to find their spots, to set up their easels and start drawing the first quick pose. This is the bit I missed; and I am so glad I missed it! The reason is I didn’t have time to set up my easel, I just sat down and immediately started drawing the quick pose loosely. This helped me a lot to avoid my usual “technical” sketches. I ll go through each on of the poses in detail below.

Step 1: Stepping on Object

The first pose (which was set up before I went to class) was quite interesting. The model (Jane) had her one knee bend on the object we were using last time. Her other leg was stretched, touching the floor. The interesting part of this pose was that the leg muscles were stretched and the models tummy and breast were hanging, offering some very well-defined shapes for us to draw. Another element that I found nice was the model’s hair, falling downwards covering part her of head and face. I worked on this one for about 3-5 min. (See the bottom right sketch of the following picture).

Step 2: Pushing the Object

The second short pose was again of interest for similar reasons as the previous one. Jane now was pretending to be pushing the object. To avoid sketching similar elements and perspective (and since I didn’t have an easel…) I just grabbed my drawing board and sat at another corner of the room. I found this one a bit trickier for some reason and that why I didn’t add too much detail. I am pleased though I managed to capture the flow of the lines and the general shape. (See the top figure of the picture above).

Step 3: Standing Pose

Main drive for this pose was to give Jane a small break. The previous poses were quite tiring for her so now our tutor chose something quite easy for the model. She was literally stood still looking straight and slightly upwards. I was sat at the same position. For me it was a good exercise looking at the model’s back. I think one of the next elements to study will be the spine and the shoulder blades. (See the bottom left sketch of the previous picture).

Step 4: Sitting Pose

The last short pose was a sitting one, not too different from the one we kept as a long pose. The model was literally just sat on the object. Her one hand was resting on her knee. The second arm, I couldn’t see at all. Here I think I sketched the head slightly too big, but again I was not too worried as these quick poses mainly served as a warm up for the long pose.

Step 5: Long pose

The model went back to last week’s long pose position. She was sat on the object with one foot touching the ground and the other one resting on the object. She had her hands “hugging” her knee.

As usually, I changed my position to give myself a chance to practice more with something new. This time I had a better view of the model’s side along with a relatively fine view of her back. I started sketching her back; took me some time to get the proportions right of the bits either side of the spine. The next element was her front leg and side. Once that was roughly sketched I tried to quickly sketch the front arm, before we went out for tea break.

After break, I roughly sketched the fingers and how they folded around the model’s knee. I spent some time sketching the second leg which I couldn’t quite understand as the other knee was in the way. Finally, I decided it was not worth spending ages getting the second leg absolutely perfect…I couldn’t see that well anyway.

I moved on adding tone. This step helped me avoid adding my contours (I added those recently). I managed to give volume to my sketch by adding shadows and tones. That was quite helpful to define planes and show what is in fornt of other bits.

The head is only roughly sketched just to complete the drawing.

Step 6: An extra one

I had ten minutes left before the end of the session. I knew that trying to improve my main drawing wouldn’t make much difference so I started a quick “dummy” sketch. I was inspired by our models pose for the bottom part of the body but then the upper structure literally emerged from my imagination. I d love being able to draw figures without looking at a model and I am so I happy I managed to this even the last few minutes of this session.

Brief Summary

Generally, a nice session. The biggest lesson learnt was that when you loosen up then this is translated into nice lines that flow on the paper. No attention to detail is required at that stage. Capturing the energy and movement of the model is enough! I hope you enjoy your painting and sketching!


The Artist says:

“It is so amazing when you start studying the human anatomy before you go to the next class. You gain an understanding of how things work together and then instead of just sketching individual shapes and planes you understand how the body structure works as a whole!”

Art is more fun when you meet the artists themselves! Visit THE ARTIST…

CHROMA

Love Sketching & Painting

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TESS – 3

23/04/2018

Today was Tessa’s last week (she might be back though later this year – see previous sessions with Tess here TESS and here TESS – 2). I admit I went to class quite late and thus i almost missed the first short pose. I manage to work for about 2minutes on that (third picture below). Although I knew I wouldn’t have enough time to do a proper drawing I challenged myself and joined the others as quickly as possible. I am quite happy with the result.

After this rush, there were 2 more short poses about 5 minutes each (first and second picture below). Here I had slightly more time to work the shape and add some indicative tones. This was a good warm up for the following long pose.

As usual the long pose was carefully set up by the tutor so people could continue their sketches from previous weeks. As I have done previously, I changed my position completely so I can practice sketching from a different angle. Today I got a seat looking at the models back which despite having less detail to sketch, it was really interesting. I learned about the different planes that a person’s back forms and how the light is being affected by these planes (last two photos below and cover photo).

I am quite happy with my sketches this time. I see there is loads to improve, however it was the first time my tutor complimented my work! She commented on the back’s planes and the light reflection on those but generally she was happy with my development. Really looking forward to next life drawing session next week!

…it was the first time my tutor complimented my work!

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28407451_1162363890564038_455176961_oThe Artist says:

“Since I joined the life drawing classes, I have really developed a completely different way of looking at the objects around me. I try to spot the details and I try to understand how different elements of an object affect the proportions, the shape and the tone. Studying the human body is quite challenging but really rewarding!

 

 

 

Art is more fun when you meet the artists themselves! Visit THE ARTIST…

 

CHROMA

Love Sketching & Painting

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