Marina-Eleni Derveni

Human form through impressionistic prism

I enjoy drawing human forms, either portraits with charcoal or full model figures with acrylic paint. I was interested in drawing since I was a little child and learned on my own. Later on I took various lessons. I definitely want to study art more thoroughly in the future!”

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The importance of natural poses

Julian- 4

This life drawing session made me think the importance of drawing a pose that looks natural. Models can bend and stretch and settle in all sorts of poses. Depending on the result that the artist wants, strange poses might be useful. How easy is it though to capture those poses and plot them realistically on your paper?  This time we had the opportunity to explore life like poses as well as a slightly strange one.

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You can also download free Human Anatomy Sketching Tutorials here.

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An “aesthetically NOT pleasing” drawing

Linea – 2

Although that was the exact words my tutor used to describe my long pose drawing – I am personally very pleased with the work produced. My confidence was further strengthened by the model’s quite motivating words. Keep reading about the last life drawing session below.

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You can also download free Human Anatomy Sketching Tutorials here.

FERRFF
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Learning through short poses

Linea – 1

A balanced drawing session

This session was dominated by the model’s tranquility, her nice poses and balanced work behind the easel. After three weeks working with the same model (although he was very good) it was a pleasure to see someone new. With quite good mood, and following a very fun weekend I really enjoyed this life drawing session.

Do you love Life Drawing? There is a whole collection here!
You can also download free Human Anatomy Sketching Tutorials here.

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HEADS UP

HEADS UP

Easily understanding the neck

Being able to draw the neck muscles accurately can instantly make a portrait look much more professional and complete. It is so easy to understand how to draw the neck properly that is literally a shame trying to “guess”. All you need is two points and five lines connecting them…simple as that.

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Drawing the human figure, fast

Andrew – 3

The Beauty of  drawing fast

If you are one of those people who can’t spend too much time doing the same thing – you will totally relate with this story. This attitude follows me in my art; I admit that being static for too long and working on the same subject for ages is not my cup of tea. Something that became apparent in this recent life drawing session.  Same model and same pose for the 3rd week in a row. I really had to do something to entertain my self. Something that actually revealed a new attitude towards my drawing that I am going to follow from now on.

Do you love Life Drawing? There is a whole collection here!
You can also download free Human Anatomy Sketching Tutorials here.

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How to use the Core Shadow

Andrew – 2

Despite not being able to focus 100% during this session, I got something very important out of it. I heard about the core shadow and got a small taste of how to use it. Starting the life drawing session feeling pressure and stress didn’t massively help, however I feel happy I managed to learn something new.

Do you love Life Drawing? There is a whole collection here!
You can also download free Human Anatomy Sketching Tutorials here.

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Practice makes best

Andrew – 1

Practice actually helped

They say “practice makes best”, and today was proved this is absolutely right. After 2.5 months summer break, and a considerable amount of “homework”, I went back to the life drawing classes. With a new model and new poses, I had the chance to put in practice what I learned during our break. I was very pleased and I finished the class satisfied with my performance. Here is how these Tutorials helped me.

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Drawing loosely

Jane – 4

Finally loosened up

Date: 09/07/2018

Author: Iasonas Bakas

Time: 3h

 

Contents:

  • Step 1: Stepping on Object
  • Step 2: Pushing the Object
  • Step 3: Standing Pose
  • Step 4: Sitting Pose
  • Step 5: Long pose
  • Step 6: An extra one

 

Materials:

1. Charcoal Sticks
2. Kneadable Eraser
3. Measuring Needle, Pencil, Ruler or anything straight to measure proportions
4. A few blank sheets

What happened today?

This time I went to class about 10min late. This is enough for everyone to find their spots, to set up their easels and start drawing the first quick pose. This is the bit I missed; and I am so glad I missed it! The reason is I didn’t have time to set up my easel, I just sat down and immediately started drawing the quick pose loosely. This helped me a lot to avoid my usual “technical” sketches. I ll go through each on of the poses in detail below.

Step 1: Stepping on Object

The first pose (which was set up before I went to class) was quite interesting. The model (Jane) had her one knee bend on the object we were using last time. Her other leg was stretched, touching the floor. The interesting part of this pose was that the leg muscles were stretched and the models tummy and breast were hanging, offering some very well-defined shapes for us to draw. Another element that I found nice was the model’s hair, falling downwards covering part her of head and face. I worked on this one for about 3-5 min. (See the bottom right sketch of the following picture).

Step 2: Pushing the Object

The second short pose was again of interest for similar reasons as the previous one. Jane now was pretending to be pushing the object. To avoid sketching similar elements and perspective (and since I didn’t have an easel…) I just grabbed my drawing board and sat at another corner of the room. I found this one a bit trickier for some reason and that why I didn’t add too much detail. I am pleased though I managed to capture the flow of the lines and the general shape. (See the top figure of the picture above).

Step 3: Standing Pose

Main drive for this pose was to give Jane a small break. The previous poses were quite tiring for her so now our tutor chose something quite easy for the model. She was literally stood still looking straight and slightly upwards. I was sat at the same position. For me it was a good exercise looking at the model’s back. I think one of the next elements to study will be the spine and the shoulder blades. (See the bottom left sketch of the previous picture).

Step 4: Sitting Pose

The last short pose was a sitting one, not too different from the one we kept as a long pose. The model was literally just sat on the object. Her one hand was resting on her knee. The second arm, I couldn’t see at all. Here I think I sketched the head slightly too big, but again I was not too worried as these quick poses mainly served as a warm up for the long pose.

Step 5: Long pose

The model went back to last week’s long pose position. She was sat on the object with one foot touching the ground and the other one resting on the object. She had her hands “hugging” her knee.

As usually, I changed my position to give myself a chance to practice more with something new. This time I had a better view of the model’s side along with a relatively fine view of her back. I started sketching her back; took me some time to get the proportions right of the bits either side of the spine. The next element was her front leg and side. Once that was roughly sketched I tried to quickly sketch the front arm, before we went out for tea break.

After break, I roughly sketched the fingers and how they folded around the model’s knee. I spent some time sketching the second leg which I couldn’t quite understand as the other knee was in the way. Finally, I decided it was not worth spending ages getting the second leg absolutely perfect…I couldn’t see that well anyway.

I moved on adding tone. This step helped me avoid adding my contours (I added those recently). I managed to give volume to my sketch by adding shadows and tones. That was quite helpful to define planes and show what is in fornt of other bits.

The head is only roughly sketched just to complete the drawing.

Step 6: An extra one

I had ten minutes left before the end of the session. I knew that trying to improve my main drawing wouldn’t make much difference so I started a quick “dummy” sketch. I was inspired by our models pose for the bottom part of the body but then the upper structure literally emerged from my imagination. I d love being able to draw figures without looking at a model and I am so I happy I managed to this even the last few minutes of this session.

Brief Summary

Generally, a nice session. The biggest lesson learnt was that when you loosen up then this is translated into nice lines that flow on the paper. No attention to detail is required at that stage. Capturing the energy and movement of the model is enough! I hope you enjoy your painting and sketching!


The Artist says:

“It is so amazing when you start studying the human anatomy before you go to the next class. You gain an understanding of how things work together and then instead of just sketching individual shapes and planes you understand how the body structure works as a whole!”

Art is more fun when you meet the artists themselves! Visit THE ARTIST…

CHROMA

Love Sketching & Painting

Παρουσίαση2

JANE – 2

25/06/2018

Last week unfortunately I had to skip my life drawing class and today it felt really awkward the first ten minutes; I thought I had forgotten to hold the charcoal stick! I was trying to refresh my memory as to how we draw the ribcage, what I had learnt about the skull and mainly how do we put all this together. Th bright side is that after a few wrong lines I slowly got up to speed again.

Our model today was Jane. Jane was the first model I ever sketched and this truly a good opportunity for me (and yourself if you wish!) to look back and see the progress I have made the past few months (see JANE).

As usually the model did three short poses. Finally, the class picked their favourite one as the long pose; we picked pose number three. Lets go through them one by one.

For the first pose Jane was sat on a table with her legs crossed. This pose gave me a good sight of her torso and breast. I tried to quickly sketch and remind myself the structure of the head and the Ribcage (and mainly how these affect the skin of the body). I am quite happy with this pose as we didn’t spend more than 7 minutes.

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For the second pose Jane stayed on the table however she turned her back towards my side. I spent less than five minutes sketching this pose as in the meanwhile I had a quick chat with my tutor. She pointed out that my lines should be less heavy and bold! I spent most of my time sketching the model’s left foot. Feet are always a challenge! Apparently, the model appears to wide here but as mentioned before, I am not too worried as this served mainly as a warm up for the longer pose.36176870_1244913152309111_163261482266525696_n.jpg

For the third pose Jane returned pretty much to her original position; main difference being that instead of crossing her legs she now had a stool to support her right leg, while the left one was touching the floor. I couldn’t see her right arm almost at all. As before, I had a good view of her torso and legs. In my first attempt (short pose) I didn’t make any effort to sketch the legs. I only focused on the upper structure. As you can see below (drawing on the left hand side) the sketch is quite technical – I tried to put together previous knowledge before starting the long pose.36283152_1244913288975764_902433458511413248_n.jpg

Finally, after a quick tea break (actually it was fizzy drinks and cheese snacks break…) we went back in class to start with our long pose. The class decided pose number 3 was the preferable one (and I totally agreed). This time I did spend time drawing the whole body, including legs and upper structure as well. I was lightly criticized by my tutor for being too technical and strict with my drawing but at this stage I would like to learn the structure and then allow myself to go crazy with colour and lines. I had the time to add some tone too to satisfy myself with a complete drawing.

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The Artist says:

28407451_1162363890564038_455176961_o“It is so amazing when you start studying the human anatomy before you go to the next class. You gain an understanding of how things work together and then instead of just sketching individual shapes and planes you understand how the body structure works as a whole!

 

 

 

Art is more fun when you meet the artists themselves! Visit THE ARTIST…

 

CHROMA

Love Sketching & Painting

Παρουσίαση2