This is not an easy question to answer. Eggs can make a big difference when you make an omellete or when you bake a cake. But art; how is it even possible a tub of eggs to make a difference to your art? Well, it does play an important role – a tab of 15 eggs can actually make you create one of the most sophisticated and beautiful artworks you have ever made. The recipe is very simple.
An Ancient Greek philosopher which is a dominant figure in my home city. Aristotle is one of the most important and famous personalities of Ancient Greece and streets, universities and squares have been named after him in modern Greek cities. Aristotle was born in Stagira (norther Greece) and was a student of Plato in Athens. After his teacher’s death, Aristotle was invited to teach Alexander the Great (previous bust drawing – BUST -2). His teachings are foundation of the modern Western Philosophy and cover many areas as physics, biology, arts, politics and psychology.
The inspiration to draw this bust is now obvious. It was a good exercise for me, getting the proportions of the face and the shape of head right. I quickly put a small grid on my paper and tried to measure the proportions of the width and length of his face. First step was to locate the zone of his eyes. That gave me a good reference point to build the rest of his face. I achieved this by defining the forehead’s proportion to the rest of the face.
Once the eyes were roughly in place it was easier to define the position of other features. I started top to to bottom. Firstly, I tried to deal with the nose by making it proportionally right to the forehead. The width of the nose was measured proportionally to its length.
With the nose roughly sketched I looked at the width and position of the mouth and chin. The width of the lips roughly lines up with the middle of the eyes. The chin literally occurred by sketching the outline of the lips. This areas is easier to draw by adding tone rather than trying to precisely sketch outlines.
A new element for me was the hair. It was a challenging task to decide how to better sketch the hair. I am not sure this is the best way to do it yet but it seemed a bit easier roughly shaping it and then defining it better by adding tone. The same applies to hair on the head and facial hair.
After having on my paper and being satisfied that I don’t want to add any more details (mainly because at this point I am quite tired already) I add some highlights by rubbing out the charcoal or strengthen the tone in some places. This way I increase the contrast and make the drawing a bit more impressive. Still working on this though!
I hope you enjoyed! You can see my previous bust drawing here:
THE ARTIST SAYS…
“Busts is a collection of charcoal drawings which represents my first steps in the world of life drawing and drawing of human figures and faces in general. In these first drawings I am just trying to put in practice the theory that I read in sketching books or the instructions that our tutor gives during our life drawing classes. Hopefully, as I progress and practice more, the quality of my drawings will improve and more confident lines and powerful tone contrasts will appear.”
Art is more fun when you meet the artists themselves. Meet the man behind the scenes. Visit THE ARTIST…