SKULL IN A BOX

SKULL IN A BOX

How to draw a Skull in 3D

This article brings together knowledge from the last 2 tutorials dealing with the skull. However, we focus on the volume and perspective rather than details of sketching the face or the side of the skull (we dealt with those in detail here: IT’S ALL IN YOUR HEAD and THE BRIGHT SIDE). This is the last one of the “Skull” series and attempts to create a very simple and quick method of sketching the skull in 3 dimensions. While the previous articles helped you memorise the proportions of the skull and its various components, here we will see how all these things connect to each other and work together to form the skull.

Continue reading “SKULL IN A BOX”

THE BRIGHT SIDE

THE BRIGHT SIDE

The Skull – Side

It is very cool being able to draw the front part of the skull; we used to do that since we were in school. If you want to understand though the volume of the skull, the structure of the bones and mainly how all these affect the proportions and arrangement of the facial features, then you really need to be looking at the side of the skull too. It is important to know what the proportions are and this is exactly what we are going to study today. As always, this drawing might not be 100% accurate, but it will definitely be a good starting point for you to understand and expand your knowledge in the long run.

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Continue reading “THE BRIGHT SIDE”

IT’S ALL IN YOUR HEAD

Human Anatomy

The Skull – Front

You are so into starting painting portraits but after trying a couple of times…things didn’t quite work. Yes, I know…I ve been there myself. Here you will find just the right amount of information to get you started – simplified, and easy to follow.

Why you should read this article

If you want to make some progress you need to follow a method; and trust me, there is no better tactic than understanding what lies underneath. Having a good grasp of the skull will help you gradually build your skill drawing and painting portraits.  In this article we will look at the structure of the front side of the skull (next article will be about the side view).

Continue reading “IT’S ALL IN YOUR HEAD”

JANE – 2

25/06/2018

Last week unfortunately I had to skip my life drawing class and today it felt really awkward the first ten minutes; I thought I had forgotten to hold the charcoal stick! I was trying to refresh my memory as to how we draw the ribcage, what I had learnt about the skull and mainly how do we put all this together. Th bright side is that after a few wrong lines I slowly got up to speed again.

Our model today was Jane. Jane was the first model I ever sketched and this truly a good opportunity for me (and yourself if you wish!) to look back and see the progress I have made the past few months (see JANE).

As usually the model did three short poses. Finally, the class picked their favourite one as the long pose; we picked pose number three. Lets go through them one by one.

For the first pose Jane was sat on a table with her legs crossed. This pose gave me a good sight of her torso and breast. I tried to quickly sketch and remind myself the structure of the head and the Ribcage (and mainly how these affect the skin of the body). I am quite happy with this pose as we didn’t spend more than 7 minutes.

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For the second pose Jane stayed on the table however she turned her back towards my side. I spent less than five minutes sketching this pose as in the meanwhile I had a quick chat with my tutor. She pointed out that my lines should be less heavy and bold! I spent most of my time sketching the model’s left foot. Feet are always a challenge! Apparently, the model appears to wide here but as mentioned before, I am not too worried as this served mainly as a warm up for the longer pose.36176870_1244913152309111_163261482266525696_n.jpg

For the third pose Jane returned pretty much to her original position; main difference being that instead of crossing her legs she now had a stool to support her right leg, while the left one was touching the floor. I couldn’t see her right arm almost at all. As before, I had a good view of her torso and legs. In my first attempt (short pose) I didn’t make any effort to sketch the legs. I only focused on the upper structure. As you can see below (drawing on the left hand side) the sketch is quite technical – I tried to put together previous knowledge before starting the long pose.36283152_1244913288975764_902433458511413248_n.jpg

Finally, after a quick tea break (actually it was fizzy drinks and cheese snacks break…) we went back in class to start with our long pose. The class decided pose number 3 was the preferable one (and I totally agreed). This time I did spend time drawing the whole body, including legs and upper structure as well. I was lightly criticized by my tutor for being too technical and strict with my drawing but at this stage I would like to learn the structure and then allow myself to go crazy with colour and lines. I had the time to add some tone too to satisfy myself with a complete drawing.

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The Artist says:

28407451_1162363890564038_455176961_o“It is so amazing when you start studying the human anatomy before you go to the next class. You gain an understanding of how things work together and then instead of just sketching individual shapes and planes you understand how the body structure works as a whole!

 

 

 

Art is more fun when you meet the artists themselves! Visit THE ARTIST…

 

CHROMA

Love Sketching & Painting

Παρουσίαση2

 

 

JOANNA – 2

11/05/2018

This was the second Monday Joanna modeled for us. The session was quite interesting in terms of new knowledge. Once more, our tutor spent more time with myself and another guy who is a beginner; she taught us the proportions and structure of the skull. Recently we studied the ribcage (read: Human Anatomy 1 – The Ribcage) and now we were ready to build up on the structure above.

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We started sketching the top of the cranium trying to replicate the curvature. The tutor pointed out that the curve gets steeper at the rear side. Once the top was done we then carried on to sketch the rear side and the front side. We had to check the angle of the outline of the skull and finally close the shape at the bottom and middle of the cranium. It’s worth mentioning that this point is the “hole” for the ear!

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Once the cranium was in place we had to roughly sketch the front part of the skull; the area where all the facial features appear. For the sake of speed and understanding we sketched that as a simple tube. Also, extra care was needed for the eye sockets and nose but we will look at this more carefully in following sessions. I am aiming to study the skull myself in detail one of the following weeks.

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When we had a good grasp of the outline and volumes of the skull we moved on to sketch from life. So Joanna, being our model, offered some interesting angles and poses for us to sketch her head.

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We were asked to sketch her head as a simple orthogonal box. Just that. Give the orientation and the planes we could see. Then we had to elaborate and fit the cranium and face volumes within that box. We had to remember that the volume of the neck happens behind the “tube” of the face and under the volume of the cranium.

 


The Artist says:

28407451_1162363890564038_455176961_o“It is so amazing when you start studying the human anatomy before you go to the next class. You gain an understanding of how things work together and then instead of just sketching individual shapes and planes you understand how the body structure works as a whole!

 

 

 

Art is more fun when you meet the artists themselves! Visit THE ARTIST…

 

CHROMA

Love Sketching & Painting

Παρουσίαση2